Musical Texture (General)

McGill UniversityMusic Perception and Cognition LabTexture

Mar 28

MPCL Bibliographies: Texture

Compiled at the Music Perception and Cognition Laboratory (MPCL) — McGill University.
Updated March 28, 2022.

Bibliography

Aucouturier, J.-J. (2006). Dix expériences sur la modélisation du timbre polyphonique. Paris 6.

Douglas, C., Noble, J., & McAdams, S. (2016). Auditory Scene Analysis and the Perception of Sound Mass in Ligeti’s Continuum. Music Perception: An Interdisciplinary Journal, 33(3), 287–305. https://doi.org/10.1525/mp.2016.33.3.287

Hoffman, E. (2005). Textural “Klangfarben” in James Dillon’s “La femme invisible” (1989): An Explanatory Model. Perspectives of New Music, 43(1), 4–33.

Kokoras, P. A. (2005). Towards a holophonic musical texture. International Conference on Computer Music, Barcelona.

Lederman, S. J. (1979). Auditory texture perception. Perception, 8(1), 93–103. https://doi.org/10.1068/p080093