Klangfarbenmelodie

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MPCL Bibliographies: Klangfarbenmelodie

Compiled at the Music Perception and Cognition Laboratory (MPCL) — McGill University.
Updated March 28, 2022.

Clüver, C. (1981). Klangfarbenmelodie in polychromatic poems: A. von Webern and A. de Campos. Comparative Literature Studies, 18(3), 386–398.

Cramer, A. (2002). Schoenberg’s Klangfarbenmelodie: A principle of early atonal harmony. Music Theory Spectrum, 24(1), 1–34. https://doi.org/10.1525/mts.2002.24.1.1

Erickson, R. (1973). LOOPS: An Informal Timbre Experiment. La Jolla, Calif: Center for Music Experiment, University of California at San Diego.

Kursell, J. (2013). Experiments on tone color in music and acoustics: Helmholtz, Schoenberg, and Klangfarbenmelodie. Osiris, 28(1), 191–211. https://doi.org/10.1086/671377

Mailman, J. B. (2015). Schoenberg’s Chordal Experimentalism Revealed through Representational Hierarchy Association (RHA), Contour Motives, and Binary State Switching. Music Theory Spectrum, 37(2), 224–252. https://doi.org/10.1093/mts/mtv015

Pendergrass, M. (2014). Two musical orderings. Journal of Mathematics and Music, 8(1), 59–72. https://doi.org/10.1080/17459737.2013.871357

Tillmann, B., & McAdams, S. (2004). Implicit learning of musical timbre sequences: Statistical regularities confronted with acoustical (dis)similarities. Journal of Experimental Psychology: Learning Memory and Cognition, 30(5), 1131–1142. https://doi.org/10.1037/0278-7393.30.5.1131

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