Extended Techniques

TOR | Resources | Bibliographies | University of Calgary

Bibliography of Extended Techniques

Extended Techniques bibliography, created by Jason Young (PhD Composition, University of Calgary), supervised by Dr. Laurie Radford.

Books

• Adams, James Max. “Timbral Diversity: An Annotated Bibliography of Selected Solo Works for the Tenor Trombone Containing Extended Techniques.” ProQuest Dissertations Publishing, 2008.

• Bost-Sandberg, Lisa. “The Pedagogy of Robert Dick.” ProQuest Dissertations Publishing, 2014.

• Botieff, Jane D. “Flute Extended Techniques: A Practice Guide and Analytical Study of "Hatching Aliens" by Ian Clarke.” ProQuest Dissertations Publishing, 2015.

• Brown, Linda Ann. “The Beautiful in Strangeness: The Extended Vocal Techniques of Joan La Barbara.” ProQuest Dissertations Publishing, 2002.

• Brown, Shelina Louise. “Yoko Ono's Experimental Vocality as Matrixial Borderspace: Theorizing Yoko Ono's Extended Vocal Technique and Her Contributions to the Development of Underground and Popular Vocal Repertoires, 1968 - Present.” ProQuest Dissertations Publishing, 2018.

• Buder Gallagher, Nessyah. “Extended Techniques in a Survey of Contemporary Australian Concert Saxophone Music.” ProQuest Dissertations Publishing, 2016.

• Carmichael, Steve. “Celestial Machine: A CD Recording of Unaccompanied Twenty-First-Century Music for Saxophone Using Extended Techniques.” ProQuest Dissertations Publishing, 2017.

• Cassidy, Aaron, and Aaron Einbond. Noise in and as Music, 2013.

• Cassidy-Heacock, Tyler K. “The Sung Self of Syllables: Interpretive Paradigms for Contemporary Vocal Music Shown in Compositions by Leroux, Chin, Lim, and Furrer.” ProQuest Dissertations Publishing, 2015.

• Charbonneau, Christopher. “A Recording and Commissioning Project Aimed at Developing New Repertoire for Pre-College and Early-College Saxophonists Focused on the Early Applications of Extended Techniques.” ProQuest Dissertations Publishing, 2015.

• Cherry, Amy Kristine. “Extended Techniques in Trumpet Performance and Pedagogy.” University of Cincinnati / OhioLINK, 2009.

• Cope, David. Techniques of the Contemporary Composer. Belmont, CA: Schirmer, Centage Learning, 1997.

• Davis, Christopher Leigh. “Extended Techniques and Electronic Enhancements: A Study of Works by Ian Clarke.” ProQuest Dissertations Publishing, 2012.

• Casey, Michael James. “Extended Techniques In Unaccompanied Works For Solo Tuba Written

• Between 1965-1973 And 2002-2013.” ProQuest Dissertations Publishing, 2017.

• Davis, Michael Jerome. Creative Strategies for Teaching Extended Flute Techniques: A Pedagogical Approach with a Performance and Analysis of an Original Work, Dream Weaving for Flute and Tape. ProQuest Dissertations Publishing, 1993.

• De Borba, Tristan Fragoso. “Extended Techniques in Jorge Peixinho's (1940–1995) Three Late Pieces for Saxophone: Sax-Blue (1982–84), Passage Intérieur (1989), and Fantasia- Impromptu (1990).” ProQuest Dissertations Publishing, 2020.

• Deats, Carol Jean. “Toward a Pedagogy of Extended Techniques for Horn Derived from Vincent Persichetti's Parable for Solo Horn, Opus 120.” Texas Tech University, 2001.

• Denton, William L. “Extended Trumpet Techniques: A Method for Their Exploration and Mastery.” ProQuest Dissertations Publishing, 2006.

• Dick, Robert. Tone Development Through Extended Techniques. Lauren Keiser Music Publishing: St. Louis. 2008.

• Dierickx, Zachary Daniel. “The Clarinet Works of Jörg Widmann: A Performance Guide to Fantasie for Clarinet Solo with a Survey of Unaccompanied Clarinet Repertoire and Guide to Contemporary Techniques.” ProQuest Dissertations Publishing, 2018.Cherr

• Dimpker, Christian. Extended Notation: The Depiction of the Unconventional, 2013. Duron-VanTuinen, Danielle. “Euphonium and Live Interactive Electronics: A Performers

• Examination of Three New Works.” ProQuest Dissertations Publishing, 2017.

• Ellard, Luke Michael. “Bridging the Gap: Introducing Extended Techniques and Contemporary Notation Through Newly Composed Etudes for Clarinet.” ProQuest Dissertations Publishing, 2020.

• Ertz, Simon Istvan. “Beyond Extended Techniques: Fundamental Techniques in Viola Spaces of Garth Knox.” ProQuest Dissertations Publishing, 2016.

• Figueiredo, Virginia Costa. “Music by Contemporary Portuguese Composers: A Study of Extended Clarinet Techniques in Selected Clarinet Works.” ProQuest Dissertations Publishing, 2009.

• Gariazzo, Mariana Stratta. “Argentine Music for Flute with the Employment of Extended Techniques: An Analysis of Selected Works by Eduardo Bértola and Marcelo Toledo.” ProQuest Dissertations Publishing, 2005.

• Ghahremani, Cameron Lee. “Contemporary Strategies for Fundamental Development: Utilizing Extended Techniques to Advance Foundational Trumpet Methodology.” ProQuest Dissertations Publishing, 2016.

• Gould, Elaine. Behind Bars : the Definitive Guide to Music Notation. London: Faber Music, 2011.

• Greenfield, Leah. “Extended String Techniques and Special Effects in Arnold Schoenberg's String Quartet No. 1 and Its Significance in Chamber Music Literature.” ProQuest Dissertations Publishing, 2017.

• Guebert, Alexander M. “The Modern Handbell Ensemble as an Asset to New Music: Expanding Opportunities in Extended Technique.” ProQuest Dissertations Publishing, 2014.

• Hagner, Skyler. “The Influence of Anthony Braxton’s Solo Saxophone Work on Selected Solo Saxophone Performers.” ProQuest Dissertations Publishing, 2020.

• Harrison, Iain. “An Exploration into the Uses of Extended Techniques in Works for the Saxophone, and How Their Application May Be Informed by a Contextual Understanding of the Works Themselves.” ProQuest Dissertations Publishing, 2012.

• Horsley, Nathan Chad. “An Annotated Database of 52 Selected Original Tenor Trombone Duets Published from 1928–2006.” ProQuest Dissertations Publishing, 2008.

• Hudicek, Laurie Marie. “Off Key: A Comprehensive Guide to Unconventional Piano Techniques.” ProQuest Dissertations Publishing, 2002.

• Hugill, Andrew. The Digital Musician. London: Routledge, 2012. https://doi.org/10.4324/9780203111796.

• Humberd, Amy M. “A Pedagogical Approach for Incorporating Extended Techniques into the Undergraduate Clarinet Curriculum.” ProQuest Dissertations Publishing, 2020.

• Ishii, Reiko. “The Development of Extended Piano Techniques in Twentieth-Century American Music.” ProQuest Dissertations Publishing, 2005.

• Jones, Courtney Dion. “Extended Techniques and Vocal Simulations in Frank Ticheli's First Voice for Solo Bb Trumpet.” ProQuest Dissertations Publishing, 2015.

• Jones, Timothy Andrew. “A Survey of Artists and Literature Employing Extended Multiple Mallets in Keyboard Percussion: Its Evolution, Resulting Techniques and Pedagogical Guide.” ProQuest Dissertations Publishing, 2003.

• Keeling, Melissa. “Worlds of If: Analyses of the Composed and Improvised Works of Robert Dick.” ProQuest Dissertations Publishing, 2017.

• Kennedy, Sean M M. “An Approach to Standardizing Pedagogy for Extended Technique on Tuba,” 2016.

• Kulp, Tyler James. “Exploration of Eight-Mallet Keyboard Percussion Techniques.” ProQuest Dissertations Publishing, 2014.

• Lee, Alexander B. “Choreography and Extended Techniques in George Crumb's Five Pieces for Piano.” ProQuest Dissertations Publishing, 2019.

• Lin, Hsiao-Chieh. “George Crumb's Chamber Music for the Flute: An Overview with an Analysis of “An Idyll for the Misbegotten”.” ProQuest Dissertations Publishing, 2009.

• M. Laura Novoa. “Pensamiento Musical y Representación Visual En América Latina Durante La Década Del Sesenta: La Primera Exposición Americana de Partituras Contemporáneas.” Caiana, no. 4 (2014): 1–17.

• Mabry, Sharon. Exploring Twentieth-Century Vocal Music a Practical Guide to Innovations in Performance and Repertoire. Oxford ; New York: Oxford University Press, 2002.

• Mabry, Sharon. Exploring Twentieth-Century Vocal Music. Cary: Oxford University Press USA - OSO, 2002.

• Mahaffey, Matthew Ray. “A Performance Guide to Robert Lemay's Ariana, Kaboul for Alto Saxophone and Film.” ProQuest Dissertations Publishing, 2018.

• Marinello Pollard, Amy. “Solving the “Problems” of Extended Techniques: Annotated Performance Guides to Sofia Gubaidulina's Bassoon Works.” ProQuest Dissertations Publishing, 2012.

• Meredith, Scott. “Extended Techniques in Stanley Friedman's “Solus for Unaccompanied Trumpet”.” ProQuest Dissertations Publishing, 2008.

• Milloway, Shawn H. “"Six Minute Snake Bite" for Solo Bass Clarinet and Backing Track.” ProQuest Dissertations Publishing, 2017.

• Monier, Shelly L. “Three Works for Flute by Ian Clarke: An Analysis and Performance Guide.” ProQuest Dissertations Publishing, 2010.

• Murphy, Patrick. “Extended Techniques for Saxophone An Approach Through Musical Examples.” ProQuest Dissertations Publishing, 2013.

• Patterson, Stephanie Willow. “An Approach to Contemporary Music Pedagogy for Beginning and Intermediate Level Bassoonists, Including Sixty-Four Original Etudes.” ProQuest Dissertations Publishing, 2013.

• Pettigrew, Lauren Avery. "What's the Matter with Extended Techniques? Getting Beyond the Stigma in the Horn and Percussion Repertoire." Order No. 10128709, University of Maryland, College Park, 2016.

• Poston, Paul. “Chamber Symphony.” ProQuest Dissertations Publishing, 2016.

• Raymond, Meredith. “Incorporating Extended Techniques into the Current Curriculum: A Guide for the Contemporary Flutist Based on the Influence and Teaching Methods of Robert Dick and Greg Pattillo.” ProQuest Dissertations Publishing, 2012.

• Reynolds, Ryan R. “The History, Development, and Performance of Extended Techniques on the Bassoon with Special Focus on Philippe Hersant's Hopi and Kalevi Aho's Solo V.” ProQuest Dissertations Publishing, 2017.

• Sheppard, Gillian. “The Modern Twig: Extended Techniques for Piccolo.” ProQuest Dissertations Publishing, 2019.

• Smith, Joshua D. “Extended Performance Techniques and Compositional Style in the Solo Concert Vibraphone Music of Christopher Deane.” ProQuest Dissertations Publishing, 2008.

• Solomon, Samuel Z. How to Write for Percussion. New York: Oxford University Press, Incorporated, 2016.

• Stone, Kurt. Music Notation in the Twentieth Century : a Practical Guidebook. New York : W. W. Norton, c1980, n.d.

• Strange, Patricia., and Strange, Allen. The Contemporary Violin: Extended Performance Techniques. Berkeley: University of California Press, 2001.

• Thomas, Kelly G. “Selected Intermediate /advanced Standard Tuba/euphonium Repertoire: A Recording and Annotated Bibliography.” ProQuest Dissertations Publishing, 2006.

• Thompson, Jonathan Ryan. “Crystal Clear: A Performance Guide and Electronic Accompaniment of Mario Lavista’s Marsias for Oboe and Crystal Glasses.” ProQuest Dissertations Publishing, 2019.

• Trujillo, Lorenzo Feliciano. “Virtuoso Trumpet Technique and the Art of Transcription.” ProQuest Dissertations Publishing, 2007.

• Turner, Rebecca. “New Approaches to Performance and the Practical Application of Techniques from Non-Western and Electro-Acoustic Musics in Compositions for Solo Cello Since 1950: a Personal Approach and Two Case Studies.” ProQuest Dissertations Publishing, 2014.

• Van Cleve, Libby. Oboe Unbound. Blue Ridge Summit: Rowman & Littlefield Publishers, 2014.

• Vishnick, Martin Lawrence. “A Survey of Extended Techniques on the Classical Six-String Guitar with Appended Studies in New Morphological Notation.” ProQuest Dissertations Publishing, 2014.

• Younglove, Matthew. “The Saxophone Music of Alex Mincek and Eric Wubbels: Uses of Form, Repetition, and Extended Technique.” ProQuest Dissertations Publishing, 2017.

• Taylor, Matthew Jeffery. “Teaching Extended Techniques on the Saxophone: A Comparison of

• Methods.” ProQuest Dissertations Publishing, 2012.

• Yum, Ji-Eun. “The Solo Piano Collections "Reaching Out" and "Travels Through Sound" by Emma Lou Diemer: Pedagogical Guidelines for Contemporary Techniques for Intermediate-Level Students.” ProQuest Dissertations Publishing, 2019.

• Ziegler, Janet Brehm. “A Pedagogical Guide for Extended and Extreme Vocal Techniques Used in Contemporary Classical Vocal Music.” ProQuest Dissertations Publishing, 2018.

Articles

• Akbulut, Sirin. “The Use of Extended Piano Techniques at Conservatories in Turkey.” Procedia, Social and Behavioral Sciences 2 (2010): 3080.

• Bell, Gelsey. “Extended Vocal Technique and Joan La Barbara: The Relational Ethics of Voice on the Edge of Intelligibility.” Journal of Interdisciplinary Voice Studies 1, no. 2 (2016): 143–59. https://doi.org/10.1386/jivs.1.2.143_1.

• Bernstein, Tamara. “The Vocal Music of Ana Sokolović: Love Songs for the Twenty-First Century.” Circuit (Montréal, Québec) 22, no. 3 (2012): 19–35. https://doi.org/10.7202/1014226ar.

• Braasch, Jonas, and Van Nort, Doug. “Instrumental Analysis of Extended Saxophone Techniques for Live Electronics.” Journal of the Acoustical Society of America 127, no. 3 (2010): 2010.

• Chadwick, Roderick. “WALCZAK Erweiterte Spieltechniken in Der Musik von Helmut Lachenmann (Extended Techniques in the Music of Helmut Lachenmann) (Breitkopf & Hartel).” Tempo (London) 68, no. 267 (2014): 81–82. https://doi.org/10.1017/S0040298213001502.

• Dyer, Mark. “Helmut Lachenmann's Salut Für Caudwell: An Analysis.” Tempo (London) 70, no. 277 (2016): 34–46. https://doi.org/10.1017/S0040298216000176.

• Ertz, Simon Istvan. “Beyond Extended Techniques: Fundamental Techniques in Viola Spaces of Garth Knox.” ProQuest Dissertations Publishing, 2016.

• Fausto Borem. “Developing a Crossover Idiomatic Writing for the Double Bass: Composing/Arranging & Playing, and ... Da Capo.” Revista Vórtex 8, no. 2 (2020): 1–18. https://doi.org/10.3.3871/2.31799.37.2020.8.2.7.

• Hugh Davies. “Instrument Modifications and Extended Techniques.” New Grove Dictionary of Music and Musicians. Oxford University Press, 2020. https://doi.org/10.1093/omo/9781561592630.013.90000329463.

• Igor Leão Maia. “Contrasting Noises and Expanding Sounds: The Composition Process of Caminantes I to IV.” Revista Vórtex 6, no. 2 (2018): 1–17.

• Juan, Camilo. “The Guitar as a Laboratory for Experimentation.” Revista Vórtex 8, no. 3 (2020): 1– 29. https://doi.org/10.33871/23179937.2020.8.3.1.10.

• Long, Ashley John. “The Creative Application of Extended Techniques for Double Bass in Improvisation and Composition.” ProQuest Dissertations Publishing, 2020.

  • ———. “The Creative Application of Extended Techniques for Double Bass in Improvisation and Composition.” ProQuest Dissertations Publishing, 2020.

• McMichael, Anna. “Violin Effects from the Early Nineteenth Century: The Extended Techniques of Pierre Baillot.” Nineteenth-Century Music Review, 2021, 1–22. https://doi.org/10.1017/S147940982000049X.

• Michael Steinberg. “The Contemporary Violin: Extended Performance Techniques.” Notes 59, no. 2 (2002): 352–54. https://doi.org/10.1353/not.2002.0194.

• Plsek, Thomas J. “Using the Extended Techniques on the Trombone to Demonstrate Many of the Basic Principles of Music Acoustics.” The Journal of the Acoustical Society of America 141, no. 5 (2017): 3996–3996. https://doi.org/10.1121/1.4989156.

• Redgate, Christopher. “Re-Inventing the Oboe.” Contemporary Music Review 26, no. 2 (2007): 179–88. https://doi.org/10.1080/07494460701295382.

• Sandor, Ashley. “Extended Techniques for String Instruments as Applied to Selected Twentieth - Century Cello Repertoire.” ProQuest Dissertations Publishing, 2004.

• Turner, Rebecca. “New Approaches to Performance and the Practical Application of Techniques from Non-Western and Electro-Acoustic Musics in Compositions for Solo Cello Since 1950: a Personal Approach and Two Case Studies.” ProQuest Dissertations Publishing, 2014.

• Vanhecke, Françoise, Lebacq, Jean, Moerman, Mieke, Manfredi, Claudia, Raes, Godfried-Willem, and DeJonckere, Philippe H. “Physiology and Acoustics of Inspiratory Phonation.” Journal of Voice 30, no. 6 (2015): 769.e9–769.e18. https://doi.org/10.1016/j.jvoice.2015.11.001.

• Welbanks, Valerie. “Foundations of Modern Cello Technique: Creating the Basis for a Pedagogical Method.” ProQuest Dissertations Publishing, 2017.

• Zappi, Victor, Allen, Andrew, and Fels, Sidney. “Extended Playing Techniques on an Augmented Virtual Percussion Instrument.” Computer Music Journal 42, no. 2 (2018): 8–21. https://doi.org/10.1162/comj_a_00457.

Scores

• Berio, Luciano. “Sequenza I-XIV.” Wien: Universal Edition, 2002.

• Berlioz, Hector, Hugh Macdonald, and Bibliothèque nationale de France. “Symphonie Fantastique : Op. 14 : Autograph, Bibliothèque Nationale de France,” 2017.

• Biber, Heinrich Ignaz Franz, and Joel. Blahnik. “Battalia : for Strings.” Toronto: E.C. Kerby, 1978.

• Boieldieu, A. “Le Calife de Bagdad : ouverture.” Paris: Heugel, 1962.

• Bolcom, William. The Garden of Eden: Four Rags for Two Pianos. E.B. Marks: 1968.

• Britten, Benjamin. “Passacaglia, Opus 33b: from the Opera "Peter Grimes," Op. 33b.” London: Boosey & Hawkes, 1945.

• Cage, John, Cunningham, and Cunningham, Merce. “Mysterious Adventure : Prepared Piano Solo.” New York: C.F. Peters, 1982.

  • ———. “A valentine out of season : music for Xenia to play on a prepared grand piano, 1944.” New York: Henmar Press, 1960.

  • ———. “And the earth shall bear again : for prepared piano, 1942.” New York: Henmar Press, 1960.

  • ———. “Concerto : for piano (prepared) and chamber orchestra.” New York: Henmar Press, 1960.

  • ———. “One8: For Cello with Curved Bow.” London: Peters Edition, 1991.

  • ———. “Prepared Piano Music, 1940-47.” S.l.] : New York: Henmar Press ; Sole selling agents, C.F. Peters, 1999.

  • ———. “The Perilous Night : Prepared Piano.” New York: Henmar Press : Sole selling agents, C.F. Peters, 1960.

  • ———. “Three Dances : Two Prepared Pianos.” New York: Henmar Press, 1977.

• Catherin, Brice. Symphonie Consternante for Bassoon and Orchestra. Lausanne: Switzerland 2003. Cowell, Henry, and Oliver. Daniel. “Piano Music.” New York: Associated Music Pub., 1950.

• Crumb, George. “Makrokosmos. Vol. 1 & 2 : Amplified Piano,” 1973.

  • ———. Black Angels for Electric String Quartet. New York: Edition Peters 1971.

• Dusapin, Pascal. Watt Concerto for Trombone. Editions Salabert 1994.

• Eaton, John. Concert Music for Solo Clarinet. Brooklyn: New World 2010.

• Estrada, Julio. Miqi'nahual from Doloritas. Mexico: UNAM 2006.

• Farina, Carlo. Capriccio Stravagante. 1627.

• Fujikura, Dai. “Sakana : for Solo Tenor Saxophone.” London: G. Ricordi, 2009.

• Fujikura, Dai. “The Voice : for Bassoon and Cello : 2007 (rev. March 2008),” 2007.

• Gubaidulina, Sofia. “Streichquartett Nrs. 1-4.” Hamburg: Musikverlag Hans Sikorski, 1991-2003. Halvorson, Bobby. Desert: Seven Part Men's Ensemble, 2009.

• Henze, Hans Werner, and Hans Magnus. Enzensberger. “El cimarrón : Biographie des geflohenen Sklaven Esteban Montejo (1969-1970) : Rezital fur vier Musiker = biography of the runaway slave Esteban Montejo (1969-1970) : recital for four musicians.” Mainz: Schott, 1972.

• Holst, Gustav, Holst, Imogen, and Matthews, Colin. “The Planets : Suite for Large Orchestra, Op. 32.” London, England: Ernst Eulenburg & Co. GmbH, 2017.

• Hume, Tobias, Sterling Scott. Jones, and Veronika Gutmann. “The First Part of Ayres 1605 ; Captaine Humes Poeticall Musicke 1607.” Winterthur, Switzerland: Amadeus, 1980.

• Ives, Charles. “Piano Sonata No. 2 : Concord, Mass., 1840-1860.” New York: Associated Music Pub., 1947.

• Lachenmann, Helmut. “Berliner Kirschblüten : Für Klavier = for Piano : 2016/17,” 2019.

  • ———. “Marche Fatale : Für Klavier = for Piano,” 2017.

  • ———. “Pression : Für Einen Cellisten.” Wiesbaden: Breitkopf & Härtel, 2012.

  • ———. “Sakura-Variationen : für Altsaxophon in Es, Schlagzeug und Klavier.” Wiesbaden: Breitkopf & Härtel, 2012.

  • ———. “TemA : fur Flote, Stimme (Mezzosopran) und Violoncello = for flute, voice (mezzo- soprano) and violoncello.” Wiesbaden: Breitkopf & Härtel, 1971.

  • ———. “Wiegenmusik : Für Klavier = Cradle Music : for Piano.” Wiesbaden: Breitkopf & Härtel, 1980.

• Ligeti, György. “Aventures : Für Drei Sänger Und Sieben Instrumentalisten = for Three Singers and Seven Instrumentalists,” 1964.

  • ———. “Nouvelles aventures : fur drei Sanger und sieben Instrumentalisten; for three singers and seven instrumentalists.” New York: Peters, 1966.

• Mahler, Gustav. “Symphony No. 1, D Major 'Titan' = D-Dur = Ré Majeur.” London: Ernst Eulenburg & Co. GmbH, 2015.

  • ———. “Symphony No. 2 : C Minor = c-Moll = Ut Mineur.” London: Ernst Eulenburg & Co. GmbH, 2018.

• Mastikosa, David. “Think of : for Wind Quintet : 2016.” Rijswijk, South Holland: Donemus, 2016. Penderecki, Krzysztof. “Anaklasis, na orkiestre̜ smyczkowa i zespoły perkusyjne.” Kraków, Poland:

• Polskie Wydawnictwo Muzyczne, 1960.

  • ———. “Ofiarom Hiroszimy : Tren Na 52 Instrumenty Smyczkowe = To the Victims of Hiroshima : Threnody for 52 Stringed Instruments = Aux Victimes de Hiroshima : Threne Pour 52 Instruments à Cordes = Den Opfern von Hiroschima : Klagegesang Für 52 Streichinstrumente.” Kraków: Polskie Wydawn. Muzyczne, 1961.

  • ———. “Polymorphia : na 48 instrumentow smyczkowych. [Polymorphia] for 48 stringed instruments.” Kraków, Poland: Polskie Wydawnictwo Muzyczne, 1963.

• Pesson, Gérard, and Musée du quai Branly--Jacques Chirac, dedicatee. “Musique Pour Le Musée Du Quai Branly : Pour Piano Préparé & Percussion,” 2018.

  • ———. “Blanc Mérité : (avec Roman Opalka) : Pour Saxophone & Ensemble,” 2017. ———. “Catch Sonata : Pour Clarinette, Violoncelle et Piano Préparé,” 2018. ———. “Gigue : Pour 6 Percussions,” 2001.

  • ———. “Pastorale : Suite D'orchestre,” 2016.

• Rouse, Bonham, and Bonham, John. “Bonham : for Eight Percussionists.” New York]: Boosey & Hawkes : Hendon Music, 1996.

• Rouse, Christopher. “Ogoun Badagris : for Percussion Ensemble.” s.l.: Helicon Music, 1981. Saint-Saëns, Camille. “Danse Macabre : Poème Symphonique, Op. 40.” London: Ernst Eulenburg &

• Co. GmbH, 2018.

• Schoenberg, Arnold, and Edward Steuermann. “Die glückliche Hand : Drama mit Musik, op. 18.” Vienna: Universal Edition, 1981.

  • ———. “String quartet IV.” Vienna: Universal, 1936.

  • ———, Berg, Jacobsen, Berg, Alban, and Jacobsen, J. P. “Gurre-Lieder : fur Soli, Chor und Orchester.” Vienna: Universal Edition, 1912.

  • ———, Giraud, Hartleben, Giraud, Albert, and Hartleben, Otto Erich. “Pierrot lunaire : (melodrama) : op. 21.” Boca Raton, Fla.: Kalmus, n.d.

• Sciarrino, Salvatore. “Autostrada Prima Di Babilonia : Per Flauto,” 2015.

  • ———. “Cavatina e i Gridi : Sestetto D'archi (2002).” Milano: Ricordi, 2007.

  • ———. “Due Notturni Crudeli : Per Pianoforte : (2000).” Milano?]: Ricordi, 2001.

  • ———. “Il Legno e La Parola : Per Marimbone.” Roma : Brescia, Italy: Rai Trade ; Stampa, distribuzione e vendita MKT Musikit, 2009.

  • ———. “Il Pomeriggio Di Un Allarme Al Parcheggio : Per Flauto a Testata Mobile,” 2016.

  • ———. “Il Tempo Con L'obelisco : Per 6 Strumenti.” Milano: Ricordi, 2010.

  • ———. “Intermezzo N. 5 : (da Gesualdo) : Per Orchestra,” 2015.

  • ———. “Ombre Nel Mattino Di Piero : (Quartetto N. 9) : Per Quartetto D'archi.” Roma: Rai Trade, 2013.

  • ——— and Domenico Scarlatti. “Per Le Nozze Orientali : Per Flauto Basso e Archi Da Domenico Scarlatti,” 2018.

  • ———. “Shadow of Sound : for Orchestra.” Roma : Brescia: Rai Trade ; MKT Musikit [distributor], 2008.

  • ———. “Soffio e Forma : Per Orchestra.” Milano: Ricordi, 2009.

  • ———. “Trovare Un Equilibrio È Necessario? : Per Flauto e Quartetto D'archi,” 2016.

  • ———. “Un Capitolo Mancante : Per Flauto,” 2017.

• Stravinsky, Igor. “The Firebird : (original 1910 Version).” New York: Dover, 1987.

• Takemitsu, Toru. “Voice' for solo flute.” London: Salabert 1971.

• Villa-Lobos, Heitor. “Assobio a Játo : = The Jet Whistle : for Flute and Violoncello.” New York: Southern Music, 1953.

  • ———. “Chôros (no. 8) pour orchestre.” Paris: M. Eschig, 1928.

• Weber, Carl Maria von, and Henry Howey. “Concertino, Op. 45,” 2010. Xenakis, Iannis. “Nomos Alpha.” 1965.
  Young, Le Monte. “Chronos Kristalla.” 1990.

Websites

• Cassidy, Aaron. Aaron Cassidy: Composer Conductor. http://aaroncassidy.com/. Accessed January 10, 2021.

• Catherin, Brice. Brice Catherin. http://www.bricecatherin.org/. Accessed January 10, 2021.

• De Pijer, Robert. Flute Colors: Extended Techniques for the Flute. https://www.flutecolors.com. Accessed January 10, 2021.

• Dick, Robert. Robert Dick: Revolutionary Composer and Flutist. http://robertdick.net/. Accessed January 10, 2021.

• Estes, Kevin. The Timpani Extended Index. https://sites.google.com/site/timpaniextendedindex/categorized-extended-technique-list. Accessed January 10, 2021.

• Firth, Vic. Vic Firth YouTube Channel. https://www.youtube.com/channel/UC9N2JaiIWYR2GEN1tgHAczA. Accessed January 10, 2021.

• Hugill, Andrew. The Orchestra: A User’s Manual. https://andrewhugill.com/OrchestraManual/index.html. Accessed January 10, 2021.

• Mastikosa, David. David Mastikosa. http://davidmastikosa.com/. Accessed January 10, 2021.

• Walker, James. Extended Techniques for Vibraphone. http://www.malletjazz.com/lessons/ext_tech.html. February 2001. Accessed January 10, 2021.