Harmony / Timbre

McGill UniversityMusic Perception and Cognition LabHarmony – Timbre

Mar 28

MPCL Bibliographies: Harmony / Timbre

Compiled at the Music Perception and Cognition Laboratory (MPCL) — McGill University.
Updated March 28, 2022.

Bibliography

Bauer, A. M. (2004). “Tone-color, movement, changing harmonic planes”: Cognition, constraints and conceptual blends in modernist music. In A. Ashby (Ed.), The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology (pp. 121–152). University of Rochester Press. https://escholarship.org/uc/item/3s27h884

Beal, A. L. (1985). The skill of recognizing musical structures. Memory & Cognition, 13(5), 405–412. https://doi.org/10.3758/BF03198453

Cramer, A. (2002). Schoenberg’s Klangfarbenmelodie: A principle of early atonal harmony. Music Theory Spectrum, 24(1), 1–34. https://doi.org/10.1525/mts.2002.24.1.1

Lalitte, P. (2008). Densité 21,5 de Varèse: Un condensé d’harmonie-timbre. In T. Horodyski & P. Lalitte (Eds.), Varèse: Du son organisé aux arts audio (pp. 245–273). L’ Harmattan.

Saariaho, K. (1987). Timbre and harmony: Interpolations of timbral structures. Contemporary Music Review, 2((1)), 93–134.