Dynamics - Timbre Interactions
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MPCL Bibliographies: Dynamics - Timbre Interactions
Compiled at the Music Perception and Cognition Laboratory (MPCL) — McGill University.
Updated March 28, 2022.
Clark, M., & Luce, D. (1965). Intensities of orchestral instrument scales played at prescribed dynamic markings. Journal of the Audio Engineering Society, 13(2), 151–157.
Clark, M., & Milner, P. (1964). Dependence of timbre on the tonal loudness produced by musical instruments. Journal of the Audio Engineering Society, 12(1), 28–31.
Fabiani, M., & Friberg, A. (2011). Influence of pitch, loudness, and timbre on the perception of instrument dynamics. Journal of the Acoustical Society of America, 130(4), EL193–EL199. https://doi.org/10.1121/1.3633687
Luce, D. (1975). Dynamic spectrum changes of orchestral instruments. Journal of the Audio Engineering Society, 23(7), 565–568.
Marks, L. E. (1989). On cross-modal similarity: The perceptual structure of pitch, loudness, and brightness. Journal of Experimental Psychology: Human Perception and Performance, 15(3), 586–602. https://doi.org/10.1037/0096-1523.15.3.586
Melara, R. D., & Marks, L. E. (1990a). HARD and SOFT interacting dimensions: Differential effects of dual context on classification. Perception and Psychophysics, 47(4), 307–325.
Melara, R. D., & Marks, L. E. (1990b). Interaction among auditory dimensions: Timbre, pitch and loudness. Perception & Psychophysics, 48(2), 169–178. https://doi.org/10.3758/BF03207084
Vecchi, A. O., & Kohlrausch, A. (//). Auditory Modelling of the Perceptual Similarity Between Piano Sounds. Acta Acustica United with Acustica, 104(5), 930–934. https://doi.org/10.3813/AAA.919251
Weinzierl, S., Lepa, S., Schultz, F., Detzner, E., von Coler, H., & Behler, G. (2018). Sound power and timbre as cues for the dynamic strength of orchestral instruments. The Journal of the Acoustical Society of America, 144(3), 1347–1355. https://doi.org/10.1121/1.5053113