Contrasts / Segmentation
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MPCL Bibliographies: Contrasts / Segmentation
Compiled at the Music Perception and Cognition Laboratory (MPCL) — McGill University.
Updated March 28, 2022.
Addessi, A. R., & Caterina, R. (2000). Perceptual musical analysis: Segmentation and perception of tension. Musicae Scientiae, 4(1), 31–54. https://doi.org/10.1177/102986490000400102
Boltz, M. (1992). Temporal accent structure and the remembering of filmed narratives. Journal of Experimental Psychology: Human Perception & Performance, 18(1), 90–105. https://doi.org/10.1037/0096-1523.18.1.90
Deliège, I. (1987). Grouping conditions in listening to music: An approach to Lerdahl & Jackendoff’s grouping preference rules. Music Perception, 4(4), 325–360. https://doi.org/10.2307/40285378
Deliège, I. (1989). A perceptual approach to contemporary musical forms. Contemporary Music Review, 4(1), 213–230. https://doi.org/10.1080/07494468900640301
Goodchild, M., & McAdams, S. (2018). Perceptual processes in orchestration. In E. Dolan & A. Rehding (Eds.), The Oxford handbook of timbre. Oxford University Press. https://doi.org/10.1093/oxfordhb/9780190637224.013.10
Hartmann, M., Lartillot, O., & Toiviainen, P. (2016). Interaction features for prediction of perceptual segmentation: Effects of musicianship and experimental task. Journal of New Music Research, 46(2), 1–19. https://doi.org/10.1080/09298215.2016.1230137
Kurby, C. A., & Zacks, J. M. (2008). Segmentation in the perception and memory of events. Trends in Cognitive Sciences, 12(2), 72–79. https://doi.org/10.1016/j.tics.2007.11.004
Lerdahl, F., & Jackendoff, R. S. (1983). A generative theory of tonal music. MIT Press.
Oliver, H. (1967). Structural functions of musical material in Webern’s op. 6, no. 1. Perspectives of New Music, 6(1), 67–73. https://doi.org/10.2307/832407
Pearce, M. T., Müllensiefen, D., & Wiggins, G. A. (2010). The role of expectation and probabilistic learning in auditory boundary perception: A model comparison. Perception, 39(10), 1367–1391. https://doi.org/10.1068/p6507
Rivière, H. (1993). On rhythmical marking in music. Ethnomusicology, 37(2), 243–250. https://doi.org/10.2307/852422