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MPCL Bibliographies: Computer-Aided Orchestration

Compiled at the Music Perception and Cognition Laboratory (MPCL) — McGill University.
Updated March 28, 2022.

Bibliography
Antoine, A., & Miranda, E. R. (2015). Towards Intelligent Orchestration Systems. 671–681.
Caetano, M., Zacharakis, A., Barbancho, I., & Tardón, L. J. (2019). Leveraging diversity in computer-aided musical orchestration with an artificial immune system for multi-modal optimization. Swarm and Evolutionary Computation, 50, 100484. https://doi.org/10.1016/j.swevo.2018.12.010
Carpentier, G. (2008). Approche computationnelle de l’orchestration musicale: Optimisation multi-critères sous contraintes de combinaisons instrumentales dans de grandes banques de sons. Université Paris VI – Pierre et Marie Curie.
Carpentier, G., Cordero, V., & Daubresse, E. (2012). Cartographier le timbre—Projets Orchis/Pléione à la HEM de Genève. Dissonance, 119, 48–63.
Carpentier, G., Daubresse, E., Victoria, M. G., Sakai, K., & Carratero, F. V. (2012). Automatic orchestration in practice. Computer Music Journal, 36(3), 24–42. https://doi.org/10.1162/COMJ_a_00136
Carpentier, G. ; T., D. ;. Assayag, G. ;. Rodet, X. ;. Saint-James, E. (2007). An evolutionary approach to computer-aided orchestration. Lecture Notes in Computer Science, 4448, 488–497. https://doi.org/10.1007/978-3-540-71805-5_54
Crestel, L. (2015). Deep Symbolic Learning of Multiple Temporal Granularities for Musical Orchestration [Master’s thesis]. Université Pierre et Marie Curie (Paris 6).
Crestel, L., Esling, P., Heng, L., & McAdams, S. (2017). A database linking piano and orchestral MIDI scores with application to automatic projective orchestration. 592–598. Cnrs Insmi Ircam Stms Upmc Upmc_pole_1. https://hal.archives-ouvertes.fr/hal-01578292
Esling, P. (2009). Orchestration musicale dynamique. Université Paris VI - Pierre et Marie Curie.
Esling, P., & Agon, C. (2010). Composer les melanges sonores avec les maquettes spectrales. Journées d’Informatique Musicale, Rennes, France.
Esling, P., Carpentier, G., & Agon, C. (2010). Dynamic musical orchestration using genetic algorithms and a spectro-temporal description of musical instruments. In C. Di Chio (Ed.), Applications of Evolutionary Computation, LNCS (Vol. 6025, pp. 371–380). Springer. https://doi.org/10.1007/978-3-642-12242-2_38
Esling, P., Chemla-Romeu-Santos, A., & Bitton, A. (2018). Generative timbre spaces with variational audio synthesis. CoRR, abs/1805.08501. http://arxiv.org/abs/1805.08501
Handelman, E., Sigler, A., & Donna, D. (2012). Automatic orchestration for automatic composition. 43–48.
Maresz, Y. (2013). On computer-assisted orchestration. Contemporary Music Review, 32(1), 99–109. https://doi.org/10.1080/07494467.2013.774515
Tardieu, D. (2008). Modèles d’instruments pour l’aide à l’orchestration [Thesis]. Université Pierre & Marie Curie - Paris 6.

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