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MPCL Bibliographies: Acoustics

Compiled at the Music Perception and Cognition Laboratory (MPCL) — McGill University.
Updated March 28, 2022.

Bibliography
Backus, J. (1976). Input impedance curves for the brass instruments. The Journal of the Acoustical Society of America, 60(2), 470–480. https://doi.org/10.1121/1.381104
Caetano, M., Zacharakis, A., Barbancho, I., & Tardón, L. J. (2019). Leveraging diversity in computer-aided musical orchestration with an artificial immune system for multi-modal optimization. Swarm and Evolutionary Computation, 50, 100484. https://doi.org/10.1016/j.swevo.2018.12.010
Kazazis, S., Esterer, N., Depalle, P., & McAdams, S. (2017). A performance evaluation of the Timbre Toolbox and the MIRtoolbox on calibrated test sounds. In G. Scavone, E. Maestre, C. Kemp, & S. Wang (Eds.), Proceedings of the 2017 International Symposium on Musical Acoustics (ISMA) (pp. 144–147). McGill University.
Nymoen, K., Danielsen, A., & London, J. (2017). Validating attack phase descriptors obtained by the Timbre Toolbox and MIRtoolbox. In Proceedings of the 14th Sound and Music Computing Conference 2017 (pp. 214–219). Aalto University; CRIStin. http://hdl.handle.net/10852/56057 http://urn.nb.no/URN:NBN:no-58820
Pietrowicz, M., Hasegawa-Johnson, M., & Karahalios, K. G. (2017). Acoustic correlates for perceived effort levels in male and female acted voices. The Journal of the Acoustical Society of America, 142(2), 792–811. https://doi.org/10.1121/1.4997189
Rose, F., & Hetrick, J. (2007). L’analyse spectrale comme aide à l’orchestration contemporaine. Cahiers de La Société Québécoise de Recherche En Musique, 9(1–2), 63–68.
Strawn, J. (1985). Modeling musical transitions. Stanford University.
von Hornbostel, E. M., & Sachs, C. (1914). Systematik der Musikinstrumente. Ein Versuch. Zeitschrift Für Ethnologie, 46(4/5), 553–590. JSTOR.
von Hornbostel, E. M., & Sachs, C. (1961). Classification of musical instruments: Translated from the original german by Anthony Baines and Klaus P. Wachsmann. The Galpin Society Journal, 14, 3–29. JSTOR. https://doi.org/10.2307/842168

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Computer-Aided Orchestration

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Composers' Thoughts on Timbre