Tutorials ACTOR Research Team Tutorials ACTOR Research Team

Abstract Workshop

On December 6, 2021, the ACTOR Training and Mentoring Committee (TMC) hosted an online workshop on conference proposal abstract writing with professors Robert Hasegawa (McGill University) and Malte Kob (Detmold University of Music).

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CIRMMT ACTOR Research Team CIRMMT ACTOR Research Team

CIRMMT—ACTOR Symposium on Orchestration Research, November 2021

The Analysis, Creation and Teaching of Orchestration (ACTOR) Project and the Centre for Interdisciplinary Research is Music Media and Technology (CIRMMT) co-host a hybrid (in person/virtual) symposium on orchestration research on Wednesday, November 17, 4:30-6:30pm (EDT). The event includes four presentations on the composer-performer collaboration based on work by Stephen McAdams, Eliot Britton, Keith Hamel, Roger Reynolds, Caroline Traube, Yuval Adler, Robert Hasegawa, Joshua Rosner, Justine Maillard, Lindsey Reymore, and Eliazer Kramer.

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Nova Contemporary Music Meeting Stephen McAdams et al Nova Contemporary Music Meeting Stephen McAdams et al

Composer-performer Orchestration Research Ensembles

Throughout the CORE project, the creative processes of exploration, orchestrational problemsolving, and the realization of new music were recorded, documented, and archived for consideration. This presentation will describe the project’s goals, aims and methodological approaches at the five partner institutions, certain facets of which will be detailed in other presentations.

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Nova Contemporary Music Meeting Yuval Adler et al Nova Contemporary Music Meeting Yuval Adler et al

Documenting Composer-Performer Collaboration on Orchestrational Problem Solving

Through score and audio analysis using a perceptually based taxonomy of orchestrational effects, we studied three compositions written by McGill University graduate students in collaboration with the ensemble’s performers. Our analytical approach considered perceptual issues of auditory fusion, segregation, integration, and stratification, focusing largely on the strategies developed by each composer to achieve their desired textural effects.

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Nova Contemporary Music Meeting Justine Maillard et al Nova Contemporary Music Meeting Justine Maillard et al

Orchestrational thinking and composer-performer relationships

This paper discusses preliminary analyses of the data collected during the initiation phase in the Fall of 2019. Verbatim extracts from the interviews were manually coded on the basis of a qualitative research method inspired by grounded theory. The analyst assigns a “code” to each verbatim segment, thus attributing a significant evocative attribute to each portion of the verbal data.

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IRCAM Forum Jason Noble IRCAM Forum Jason Noble

A case study of the perceptual challenges and advantages of homogeneous orchestration

Orchestration is defined by Stephen McAdams as “the choice, combination or juxtaposition of sounds to achieve a musical end.” This typically invokes a palette of heterogeneous sounds, especially those of the instruments of the symphony orchestra, but McAdams’ definition equally applies to homogeneous sound palettes encountered in ensembles of uniform composition, such as the guitar orchestra.

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