Debussy | La Mer | TOGE Ex. 4

Taxonomy of Orchestral Grouping EffectsDebussy

Jan 28

Example 4. Timbral augmentation (sustained, stable): Debussy, La Mer, i, mm. 122–31
Audio example 1a is the English horn alone, 1b adds the two solo celli, and 1c is the full context [simulation from OrchPlayMusic Library]

Example at 6:47

Full Score and Recording

Scores and Recordings

Debussy | La mer

All Examples from the TOGE Article

Examples

Auditory Grouping Mechanisms | TOGE Ex. 1

Auditory grouping gives rise to events from which perceptual properties are extracted, which then acquire musical functions within a given sonic context

Grouping Processes | TOGE Ex. 2

Auditory grouping processes and the resulting perceptual qualities and corresponding orchestral effects. [Adapted from Goodchild and McAdams 2021, Fig. 1]

Concurrent Grouping | TOGE Ex. 3

Taxonomy of concurrent auditory grouping phenomena

Debussy | La Mer | TOGE Ex. 4

Timbral augmentation (sustained, stable): Debussy, La Mer, i, mm. 122–31

Wagner | Parsifal | TOGE Ex. 5

Timbral augmentation (sustained, transforming): Overture, mm. 20–25. Timestamp: 2:03

Sibelius | Symphony no. 5 | TOGE Ex. 6

Timbral augmentation (punctuated): Sibelius, Symphony no. 5, op. 82, iii, mm. 474–482

Debussy | La Mer | TOGE Ex. 7

Timbral emergence (sustained, stable): Debussy, La Mer, i, mm. 6–17

Schoenberg | Five Pieces for Orchestra | TOGE Ex. 8

Timbral emergence (sustained, transforming): Schoenberg, Five Pieces for Orchestra op. 16, iii, mm. 1–11

Haydn| Symphony No. 100 | TOGE Ex. 27

Sectional boundaries: Dolan’s (2013b) orchestral graph of Haydn, Symphony no. 100, ii. Colors represent different instruments and the line thickness corresponds to notated dynamics.

Scores and Recordings for all the TOGE examples

TOGEScore and AudioExample4ConcurrentBlendTimbral AugmentationSustainedStableDebussyLa MerMTOAuditory GroupingMusic and Score

Stephen McAdams et al