SUBJECT 8.2 | Orchestration

SUBJECT 8.2 | Orchestration

Study of Composite Lines

under construction

ODESSA

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ODESSA I — Montreal

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Overview

1. Perception of Violin Section

2. Counterpoint and Energy

3. Counterpoint and Climax

4.1. Counterpoint and Strata

4.2. Study of Poetic Affect

5. Study of Contrast

6. Alternating Sections

7. Study of Percussion

8.1.Addition and Reduction

8.2. Study of Composite Lines

  • Introduction

  • Practicalities

  • In-Depth

  • Orchestration