Introduction | Subject 5 | ODESSA I

Subject 5

Jul 23

Study of Contrast

Subject 5 is from Tchaikovsky’s Symphony no. 6. mov. iii, mm. 196–256. The goal was to study the contrast created by pointillistic motives versus linear horizontal ascending lines.

Example A is the original orchestration

Subject 5 | Example A1

Subject 5 | Example A2

Subject 5 | Example A3

Subject 5 | Example A4

Subject 5 | Example A5

Subject 5 | Example A6

Subject 5 | Example A7

Subject 5 | Example A8

Subject 9 | Example A9

Subject 5 | Example A10

Subject 5 | Example A11

Subject 5 | Example A12

Subject 5 | Example A13

ODESSA

ODESSA I — Montreal

1. Perception of Violin Section

2. Counterpoint and Energy

3. Counterpoint and Climax

4.1. Counterpoint and Strata

4.2. Study of Poetic Affect

5. Study of Contrast

• Introduction

• Practicalities

• In-Depth

• Orchestration

6. Alternating Sections

7. Study of Percussion

8.1. Blend, Addition and Reduction

8.2. Study of Composite Lines

Introduction

ODESSA Research Team

Introduction | Subject 5 | ODESSA I

SUBJECT 5 | Introduction

Study of Contrast

SUBJECT 4.2 | Orchestration

SUBJECT 5 | Practicalities