SUBJECT 2 | Orchestration

SUBJECT 2 | Orchestration

Study on Counterpoint and Energy

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ODESSA

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ODESSA I — Montreal

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Overview

1. Perception of Violin Section

2. Counterpoint and Energy

  • Introduction

  • Practicalities

  • In-Depth

  • Orchestration

3. Counterpoint and Climax

4.1. Counterpoint and Strata

4.2. Study of Poetic Affect

5 Study of Contrast

6. Alternating Sections

7. Study of Percussion

8.1. Blend, Addition and Reduction

8.2. Study of Composite Lines