Explore our collection of clarinet-related research. Discover insights from researchers with the Analysis, Creation, and Teaching of Orchestration Project, along with recommended external resources.
Woodwinds are not usually called upon to evoke the sensuous beauty of strings, the heroic grandeur of brass, or the visceral power and splashy color of percussion. Their role in the orchestra is possibly the most subtle and personal of all the instrumental choirs. Developing an appreciation for the special qualities they contribute and discovering techniques for making the most of the timbral resources they provide may be the most important lessons an orchestrator can learn.
Since the members of the woodwind section have such individually distinct timbres, the choices of chord voicings, doublings and octave placements in this section have a particularly notable impact.
Clarinets are the most prevalent of all woodwinds, despite the fact that they were the last to become standard members of the symphony orchestra, near the end of the Classical Period (saxophones are still waiting). There are many good reasons for this. Its broad range allows it to be a tenor, alto, or even coloratura soprano member of any ensemble.
Instrument Studies for Eyes and Ears, by Don Freund, site designed by Reid Merzbacher
“The aim of The Orchestra: A User's Manual is to provide information about the orchestra, orchestration, composition and instruments, for the benefit of anybody with an interest in the subject.”
“Like the oboe, the sound is produced with a reed. This time it is a flat, single reed attached to a plastic mouthpiece, into which the player blows, which causes the vibrations to resonate through the instrument, giving it the dynamic range for which it is known.”
