A case study of the perceptual challenges and advantages of homogeneous orchestration
Orchestration is defined by Stephen McAdams as “the choice, combination or juxtaposition of sounds to achieve a musical end.” This typically invokes a palette of heterogeneous sounds, especially those of the instruments of the symphony orchestra, but McAdams’ definition equally applies to homogeneous sound palettes encountered in ensembles of uniform composition, such as the guitar orchestra.
A Non-guitarist's approach to timbre-based composition for the guitar
A video presenting non-guitarist composer Jason Noble's approach to timbre-based composition for the guitar, discussing issues of notating timbre with various types of mappings. Including musical examples from many pieces created collaboratively with guitarist Steve Cowan.
Removing the Imaginary Boundary Between Score and Work
Removing the Imaginary Boundary Between Score and Work: Interactive Geometrical Notation
The music of dialect
Jason Noble (Ph.D in Composition) and Steven Cowan (D.Mus in Guitar Performance), winners of the Research Alive student competition, describe the project that they've been working on back in their home province of Newfoundland.