Stephen McAdams et al 1/28/23 Stephen McAdams et al 1/28/23

Debussy | La Mer | TOGE Ex. 4

Timbral augmentation (sustained, stable): Debussy, La Mer, i, mm. 122–31

Stephen McAdams et al 1/27/23 Stephen McAdams et al 1/27/23

Wagner | Parsifal | TOGE Ex. 5

Timbral augmentation (sustained, transforming): Overture, mm. 20–25. Timestamp: 2:03

Stephen McAdams et al 1/26/23 Stephen McAdams et al 1/26/23

Sibelius | Symphony no. 5 | TOGE Ex. 6

Timbral augmentation (punctuated): Sibelius, Symphony no. 5, op. 82, iii, mm. 474–482

Stephen McAdams et al 1/25/23 Stephen McAdams et al 1/25/23

Debussy | La Mer | TOGE Ex. 7

Timbral emergence (sustained, stable): Debussy, La Mer, i, mm. 6–17

Stephen McAdams 1/24/23 Stephen McAdams 1/24/23

Schoenberg | Five Pieces for Orchestra | TOGE Ex. 8

Timbral emergence (sustained, transforming): Schoenberg, Five Pieces for Orchestra op. 16, iii, mm. 1–11

Stephen McAdams 1/2/23 Stephen McAdams 1/2/23

Haydn| Symphony No. 100 | TOGE Ex. 27

Sectional boundaries: Dolan’s (2013b) orchestral graph of Haydn, Symphony no. 100, ii. Colors represent different instruments and the line thickness corresponds to notated dynamics.