Speech as timbre models for orchestration | Supplemental materials

Speech as timbre models for orchestration - a comparative approach between Cantonese and Québécois French

1. Starting point




2. Initial objectives : timbral imitation of speech

3. Louis-Michel’s approach

Phoneme_i_normatif
Phoneme_i_quebecois
Bandzit
Dziphtongue
Cinq_soft_diphtongue
Cinq_strong_diphtongue
Nucleus_v
Onset_1
Onset_2
Coda
Complete_syllable

4. Darren’s approach

4.1 Methodology

Figure: “ng” from 康 hong1 (身體健康)

Figure: Spear analysis of 身體健康san1 tai2 gin6 hong1 (in good health)

Figure: G 恭(Gung1)

Figure: un 恭(Gung1)

Figure: ng 恭(Gung1)

Figure: Spear 1 恭喜發財 Gong Hay Faat Choy

1 恭喜發財 Gong Hay Faat Choy
Darren Xu
Orchestration of 恭喜發財 gung hei faat coi
Darren Xu
2 身體健康 san tai gin hong
3 財源廣進 coi jyun gwong zeon
4 快高長大 faai gou coeng daai
5 出神入化 ceot san jap faa
6 步步高陞 bou bou gou sing
7 津津有味 zeon zeon jau mei
8 蒸蒸日上 zing zing jat soeng
9 聚精會神 zeoi zing wui san
10 一文不值 jat man bat zik
11 學業進步 hok jip zeon bou
12 心想事成 sam soeng si sing
13 久而久之 gau ji gau zi
14 小題大作 siu tai daai zok
15 川流不息 cyun lau bat sik

5. Conclusion : Comparison between the two approaches

Acknowledgements

References

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The Timbre in Popular Song (TiPS) Corpus

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The music of dialect