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Timbre and Orchestration Resource
About
Publications
Learn About Timbre
Learn About Orchestration
FR
Timbre and Orchestration Resource
About
Publications
Learn About Timbre
Learn About Orchestration
FR
About
Publications
Learn About Timbre
Learn About Orchestration
FR
Bassoon: The Orchestra: A User's Manual — Andrew Hugill
Bassoon, Woodwinds, Contrabassoon Andrew Hugill 7/17/21 Bassoon, Woodwinds, Contrabassoon Andrew Hugill 7/17/21

Bassoon: The Orchestra: A User's Manual — Andrew Hugill

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“The aim of The Orchestra: A User's Manual is to provide information about the orchestra, orchestration, composition and instruments, for the benefit of anybody with an interest in the subject.”

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Contrabassoon: Brief Description — VSL
Contrabassoon, Woodwinds Links 7/17/21 Contrabassoon, Woodwinds Links 7/17/21

Contrabassoon: Brief Description — VSL

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“The contrabassoon, also known as the double bassoon, is the contrabass instrument in the woodwind section and, together with the contrabass tuba, the deepest instrument in the orchestra.”

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Contrabassoon: Fingering Charts — IDRS
Woodwinds, Contrabassoon Links 7/17/21 Woodwinds, Contrabassoon Links 7/17/21

Contrabassoon: Fingering Charts — IDRS

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Fingering charts for the Contrabassoon.

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Contrabassoon: Instrumentation Series — David Newman
Contrabassoon, Woodwinds Links 7/17/21 Contrabassoon, Woodwinds Links 7/17/21

Contrabassoon: Instrumentation Series — David Newman

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“David Newman explains the role of the Bassoon and Contrabassoon in film music in comparison to concert music.”

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Contrabassoon: Instrument Studies for Eyes and Ears — Jacobs School of Music
Woodwinds, Contrabassoon ISFEE 7/17/21 Woodwinds, Contrabassoon ISFEE 7/17/21

Contrabassoon: Instrument Studies for Eyes and Ears — Jacobs School of Music

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Instrument Studies for Eyes and Ears, by Don Freund, site designed by Reid Merzbacher

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Contrabassoon: Playing Techniques — VSL
Contrabassoon, Woodwinds Links 7/17/21 Contrabassoon, Woodwinds Links 7/17/21

Contrabassoon: Playing Techniques — VSL

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“The contrabassoon is ideally suited to solemn passages because the full sound is slow to develop. On the other hand it exhibits surprising agility in staccato sequences, and is certainly more agile in the low register than the other bass (and contrabass) instruments.”

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