ODESSA Montreal — Subject 7, Example A

ODESSA Montreal
Written By ODESSA Research Team

TOR / ODESSA / Montreal / Subject 7 / Example A

This section explores sounds of the microphone placements for Example A: this excerpt is from mm. 330–end of Tchaikovsky’s Symphony no. 6, mov. iii, and just the timpani and bass drum playing.

  • Microphone submixes

  • Microphone placement chart

Subject 7, Example A — Mics: Spots
Jean-François Rivest et l'Orchestre de l’Université de Montréal
Subject 7, Example A — Mics: All but no spot mics
Jean-François Rivest et l'Orchestre de l’Université de Montréal
Subject 7, Example A — Mics: All
Jean-François Rivest et l’Orchestre de l’Université de Montréal
 
ODESSA Research Team
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ODESSA Montreal — Subject 7, Example B