ODESSA Montreal — Subject 7, Example A ODESSA Montreal Feb 4 Written By ODESSA Research Team TOR / ODESSA / Montreal / Subject 7 / Example A This section explores sounds of the microphone placements for Example A: this excerpt is from mm. 330–end of Tchaikovsky’s Symphony no. 6, mov. iii, and just the timpani and bass drum playing.Microphone submixesMicrophone placement chart View fullsize Subject 8 ODESSA Research Team
ODESSA Montreal — Subject 7, Example A ODESSA Montreal Feb 4 Written By ODESSA Research Team TOR / ODESSA / Montreal / Subject 7 / Example A This section explores sounds of the microphone placements for Example A: this excerpt is from mm. 330–end of Tchaikovsky’s Symphony no. 6, mov. iii, and just the timpani and bass drum playing.Microphone submixesMicrophone placement chart View fullsize Subject 8 ODESSA Research Team