ODESSA Montreal — Subject 2, Example A

ODESSA Montreal
Written By ODESSA Research Team

TOR / ODESSA / Montreal / Subject 2 / Example A

This section explores sounds of the microphone placements for Example A: this excerpt is from mm. 170–185 of Tchaikovsky’s Symphony no. 6, mov. i, and is the strings only, playing the thematic and motivic counterpoint

  • Microphone submixes

  • Microphone placement chart

 
ODESSA Research Team
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ODESSA Montreal — Subject 1, Example A
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ODESSA Montreal — Subject 2, Example B