About Timbre and Orchestration Writings
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About
Timbre and Orchestration Writings (TOW) is a collection of peer-reviewed publications curated by an editorial team at the Analysis, Creation, and Teaching of Orchestration Project. This diverse range of writings — encompassing articles, dialogues, essays, and comprehensive interactive project reports — focuses on timbre and orchestration research and scholarship. As an open-access online resource, it aims to provide a platform for academics, researchers, musicians, and educators to share their knowledge and insights on the study, understanding, and application of timbre and orchestration in various musical contexts.
These publications cover a wide array of topics, such as the analysis of historical and contemporary compositions, the exploration of innovative orchestration techniques, pedagogical approaches to teaching timbre and orchestration, and the examination of cross-cultural influences on the development of these musical elements. By presenting a diverse selection of high-quality, peer-reviewed content, Timbre and Orchestration Writings promotes collaboration, discourse, and the advancement of knowledge in this specialized field, ultimately fostering a deeper appreciation and understanding of the complex art of orchestration and the nuances of timbre in music.
TOW Personnel
Editors
Ben Duinker and Andrés Gutiérrez Martínez
Editorial Board
Stephen McAdams, Robert Hasegawa, Ben Duinker, Andrés Gutiérrez Martínez, Andre Martins de Oliveira, Theodora Nestorova, Kit Soden
Managing Editor
Kit Soden
Founding Editors
Stephen McAdams, Robert Hasegawa, Jason Noble, and Kit Soden
Former Editorial Board Members
Jay Marchand Knight, Jason Noble, Julie Delisle, Lindsey Reymore, Matt Zeller