Yorùbá Language Tonality as Basis of Orchestration

Title: Yorùbá Language Tonality as Basis of Orchestration
Author: Ayò Olúrántí
Series: Speaker Series
Source URL: https://www.actorproject.org/speaker-series/afrological-perspectives-on-timbre-and-orchestration
Production date: January 18, 2024
How to Cite APA: Olúrántí, A. (2024, March). Yorùbá Language Tonality as Basis of Orchestration [Video]. ACTOR Timbre and Orchestration Resource. Retrieved Month Day, Year, from https://timbreandorchestration.org/all-videos/actor-speaker-series/afrological-perspectives-on-timbre-and-orchestration/ayo-oluranti/yoruba-language

ACTOR Speaker Series:
Afrological Perpectives on Timbre & Orchestration

Ayò Olúrántí

Yorùbá Language Tonality as Basis of Orchestration

Ayò Olúrántí is a composer, conductor, organist, and music theorist specializing in pre-colonial Yorùbá music and culture. Equally fluent in the fields of production and computer technology, he is also an active member of the digital and virtual pipe organ community. His cross-cultural approaches to composition and scholarship have earned him considerable international attention. He has performed and composed in Nigeria, the UK, the USA, South Africa, and Germany. Olúrántí is the recipient of numerous prestigious awards including the Morehouse College Sub-Sahara Africa Commission Award, Andrew Mellon Pre-Doctoral Fellowship, and was the winner of the Donald Sutherland Endowment Fund Composition Competition. He has published research on tonality of African languages, polyrhythm in African pianism, intercultural music composition, and orality as a compositional technique. Olúrántí received his Ph.D. in Composition & Theory from the University of Pittsburgh.