Vincent | Figures
Chapter: Scoring for an Orchestra (6th Ed.)
Citation: Vincent, 1897, p. 40
Summary of Figure: An example showing the tuning of each string on the violin.
Exemplification of: violin clefs, string tuning
Vincent, 1897, p. 40 [Notes: An example showing the tuning of each string on the violin.]
Chapter: Scoring for an Orchestra (6th Ed.)
Citation: Vincent, 1897, p. 44
Summary of Figure: An example showing the tuning of each string on the viola in alto clef.
Exemplification of: viola clefs, string tuning
![Vincent, 1897, p. 44 [Notes: An example showing the tuning of each string on the viola in alto clef.]](https://images.squarespace-cdn.com/content/v1/60808497d3ad1e29c346fe97/1622222655117-B4ETCMEAXM09WEMRCM2O/VINCENT-1897-44%2C2-viola-strings-tuning.png)
Vincent, 1897, p. 44 [Notes: An example showing the tuning of each string on the viola in alto clef.]
Chapter: Scoring for an Orchestra (6th Ed.)
Citation: Vincent, 1897, p. 45
Summary of Figure: An example showing the tuning of each string on the cello in bass clef.
Exemplification of: cello clefs, string tuning
Vincent, 1897, p. 45 [Notes: An example showing the tuning of each string on the cello in bass clef.]
Chapter: Scoring for an Orchestra (6th Ed.)
Citation: Vincent, 1897, p. 46
Summary of Figure: An example showing the tuning of strings on the older three-string double bass.
Exemplification of: double bass strings, tuning
Vincent, 1897, p. 46 [Notes: An example showing the tuning of strings on the older three-string double bass.]
Chapter: Scoring for an Orchestra (6th Ed.)
Citation: Vincent, 1897, p. 46
Summary of Figure: An example showing the tuning of each string on the four-string double bass.
Exemplification of: double bass strings, tuning
Vincent, 1897, p. 46 [Notes: An example showing the tuning of each string on the four-string double bass.]
Chapter: Scoring for an Orchestra (6th Ed.)
Citation: Vincent, 1897, p. 40
Summary of Figure: The note G3, which is the tuning of the lowest string and the lowest playable note on the violin.
Exemplification of: violin strings, range
Vincent, 1897, p. 40 [Notes: The note G3, which is the tuning of the lowest string and the lowest playable note on the violin.]
Chapter: Scoring for an Orchestra (6th Ed.)
Citation: Vincent, 1897, p. 40
Summary of Figure: The note A6, which is recommended by Vincent as a safe upper limit for the range of the violin in an orchestral context.
Exemplification of: violin range, high register
Vincent, 1897, p. 40 [Notes: The note A6, which is recommended by Vincent as a safe upper limit for the range of the violin in an orchestral context.]
Chapter: Scoring for an Orchestra (6th Ed.)
Citation: Vincent, 1897, p. 44
Summary of Figure: The notes C3 and G5. These represent respectively the lowest possible note on the viola and Vincent's suggested upper limit for the viola range.
Exemplification of: viola range
Vincent, 1897, p. 44 [Notes: The notes C3 and G5. These represent respectively the lowest possible note on the viola and Vincent's suggested upper limit for the viola range.]
Chapter: Scoring for an Orchestra (6th Ed.)
Citation: Vincent, 1897, p. 45
Summary of Figure: The note C2, which is the tuning of the lowest string and the lowest playable note on the cello.
Exemplification of: cello strings, range
Vincent, 1897, p. 45 [Notes: The note C2, which is the tuning of the lowest string and the lowest playable note on the cello.]
Chapter: Scoring for an Orchestra (6th Ed.)
Citation: Vincent, 1897, p. 45
Summary of Figure: The note A4. This is Vincent's suggested upper limit for the range of the cello in an orchestral context.
Exemplification of: cello range, upper limit
Vincent, 1897, p. 45 [Notes: The note A4. This is Vincent's suggested upper limit for the range of the cello in an orchestral context.]
Chapter: Scoring for an Orchestra (6th Ed.)
Citation: Vincent, 1897, p. 46
Summary of Figure: The note E1, which is the tuning of the lowest string and the lowest playable note on the four-string double bass. Sounding pitch is an octave below notated.
Exemplification of: double bass strings, range
Vincent, 1897, p. 46 [Notes: The note E1, which is the tuning of the lowest string and the lowest playable note on the four-string double bass. Sounding pitch is an octave below notated.]
Chapter: Scoring for an Orchestra (6th Ed.)
Citation: Vincent, 1897, p. 46
Summary of Figure: The note G3. This is Vincent's suggested upper limit for the range of the double bass in an orchestral context. Sounding pitch is an octave below notated
Exemplification of: double bass range, upper limit
Vincent, 1897, p. 46 [Notes: The note G3. This is Vincent's suggested upper limit for the range of the double bass in an orchestral context. Sounding pitch is an octave below notated.]
Chapter: Scoring for an Orchestra (6th Ed.)
Citation: Vincent, 1897, p. 41
Summary of Figure: An example showing the fingerings on each note of the violin in first position. This example also demonstrates that the notes of the three highest open strings can be played on the string directly below it using the fourth finger in first position.
Exemplification of: violin strings, fingerings
Vincent, 1897, p. 41 [Notes: An example showing the fingerings on each note of the violin in first position. This example also demonstrates that the notes of the three highest open strings can be played on the string directly below it using the fourth finger in first position.]
Chapter: Scoring for an Orchestra (6th Ed.)
Citation: Vincent, 1897, p. 41
Summary of Figure: The note D4. If both notes of a double stop are
Exemplification of: violin strings, double stops
Vincent, 1897, p. 41 [Notes: The note D4. If both notes of a double stop are lower than this note, it is impossible on the violin.]
Chapter: Scoring for an Orchestra (6th Ed.)
Citation: Vincent, 1897, p. 41
Summary of Figure: The note F5. Vincent advises against writing double stops on the violin in which both the notes involved are above this note.
Exemplification of: violin double stops
Vincent, 1897, p. 41 [Notes: The note F5. Vincent advises against writing double stops on the violin in which both the notes involved are above this note.]
Chapter: Scoring for an Orchestra (6th Ed.)
Citation: Vincent, 1897, p. 42
Summary of Figure: An example showing a collection of double stops that are possible on the violin.
Exemplification of: violin double stops
Vincent, 1897, p. 42 [Notes: An example showing a collection of double stops that are possible on the violin.]
Chapter: Scoring for an Orchestra (6th Ed.)
Citation: Vincent, 1897, p. 42
Summary of Figure: An example showing a collection of chords that are possible on the violin using three or four strings.
Exemplification of: violin chords
Vincent, 1897, p. 42 [Notes: An example showing a collection of chords that are possible on the violin using three or four strings.]
Chapter: Scoring for an Orchestra (6th Ed.)
Citation: Vincent, 1897, p. 42
Summary of Figure: An example showing a pattern and bowing that can be used to arpeggiate chords on the violin.
Exemplification of: violin chords, arpeggios, bowings
Vincent, 1897, p. 42 [Notes: An example showing a pattern and bowing that can be used to arpeggiate chords on the violin.]
Chapter: Scoring for an Orchestra (6th Ed.)
Citation: Vincent, 1897, p. 43
Summary of Figure: An example showing the notation for two forms of tremolo on the violin or other string instruments.
Exemplification of: violin bowings, fingerings, tremolo
Vincent, 1897, p. 43 [Notes: An example showing the notation for two forms of tremolo on the violin or other string instruments.]
Chapter: Scoring for an Orchestra (6th Ed.)
Citation: Vincent, 1897, p. 43
Summary of Figure: The note A5. This example shows the notation for a natural harmonic, which for this note on the violin is played by lightly touching the A string at the same place that note would sound if fully stopped.
Exemplification of: violin natural harmonics
Vincent, 1897, p. 43 [Notes: The note A5. This example shows the notation for a natural harmonic, which for this note on the violin is played by lightly touching the A string at the same place that note would sound if fully stopped.]