The History and Future of the Tuba Family Mar 13 Written By ben duinker Figure 1: Serpent. Mersenne, 1637, p. 279. Figure 2: Serpent. P. Ribo, Brussels, 2018. Figure 3: Bass horn (Cimbasso). N. Perry, London, 1998. Figure 4: Bass horn (English). Griesling & Schlott, Berlin, ca. 1820. Figure 5: Bass Horn (Chromatic). Anon (possibly J. H. G. Streitwolf, Göttingen), ca. 1830. Figure 6: Bass horn (Ophicleide). J. M. Labbaye, Paris, 1837. Figure 7: Bass tuba (Berliner). Wieprecht and Moritz, 1835, Appendix I. Figure 8: Bass tuba (Wiener). A. Kley, Berlin, ca. 1918. Figure 9: Typical modern bass tuba. Figure 10: Typical modern contrabass tuba. Figure 11: Lowest pitches of valved low-pitch labrosone according to literature published 1837–2022. Figure 12: Helmut Lachenmann, Concertini (2005), b. 373–376. Figure 13: Modified fourth valve tuning slide with screw fitting; piezoelectric screw-on microphone. Figure 14: Multi-direction speaker with 3D-printed mount. ben duinker
The History and Future of the Tuba Family Mar 13 Written By ben duinker Figure 1: Serpent. Mersenne, 1637, p. 279. Figure 2: Serpent. P. Ribo, Brussels, 2018. Figure 3: Bass horn (Cimbasso). N. Perry, London, 1998. Figure 4: Bass horn (English). Griesling & Schlott, Berlin, ca. 1820. Figure 5: Bass Horn (Chromatic). Anon (possibly J. H. G. Streitwolf, Göttingen), ca. 1830. Figure 6: Bass horn (Ophicleide). J. M. Labbaye, Paris, 1837. Figure 7: Bass tuba (Berliner). Wieprecht and Moritz, 1835, Appendix I. Figure 8: Bass tuba (Wiener). A. Kley, Berlin, ca. 1918. Figure 9: Typical modern bass tuba. Figure 10: Typical modern contrabass tuba. Figure 11: Lowest pitches of valved low-pitch labrosone according to literature published 1837–2022. Figure 12: Helmut Lachenmann, Concertini (2005), b. 373–376. Figure 13: Modified fourth valve tuning slide with screw fitting; piezoelectric screw-on microphone. Figure 14: Multi-direction speaker with 3D-printed mount. ben duinker