TOGE | MTO — Example 5
Timbral augmentation (sustained, transforming): Wagner, Parsifal, Overture, mm. 20–25
TOGE | MTO — Example 8
Timbral emergence (sustained, transforming): Schoenberg, Five Pieces for Orchestra op. 16, iii, mm. 1–11
TOGE | MTO — Example 14
Stream integration (transforming): Reynolds, The Angel of Death, S section, mm. 364–373; [From Touizrar and McAdams 2019]
TOGE | MTO — Example 16
Surface texture (transforming): Smetana, The Bartered Bride, Overture, mm. 89–99
TOGE | MTO — Example 19
Stream segregation (transforming) of blended streams: Stravinsky, Quatre Etudes, iv (Madrid), mm. 93–94
TOGE | MTO — Example 21
Stratification (transforming) in three layers: Borodin, In the Steppes of Central Asia, mm. 27–42]