TOGE | MTO — Example 7
Timbral emergence (sustained, stable): Debussy, La Mer, i, mm. 6–17
TOGE | MTO — Example 8
Timbral emergence (sustained, transforming): Schoenberg, Five Pieces for Orchestra op. 16, iii, mm. 1–11
TOGE | MTO — Example 9
Timbral emergence (punctuated): Berlioz, Symphonie fantastique, iv, m. 17