How to cite

Writings

Articles

Adler-McKean, J. (2024, May 10). The history and future of the tuba family: Material-, resonance-, and performance-based perspectives. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/articles/the-history-and-future-of-the-tuba-family

Bernier-Robert, A., Duinker, B. Blend. (2023, November 27). Timbre lingo: Blend. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/timbre-lingo/blend

Bernier-Robert, A. (2023, November 20). Klangfarbenmelodie. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/timbre-lingo/klangfarbenmelodie

Bernier-Robert, A., & Duinker, B. (2023, November 13). Masking. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/timbre-lingo/masking

Bernier-Robert, A. (2023, October 30). Spectrogram. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/timbre-lingo/spectrogram

Bernier-Robert, A. (2023, November 6). Spectral Envelope. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/timbre-lingo/spectral-envelope

Bernier-Robert, A. (2023, October 23). Timbre Space. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/timbre-lingo/timbre-space

Burton, N. (2022, February 18). Cellophane — FKA twigs. Amazing Moments in Timbre. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2022/2/18/cellophane. https://doi.org/10.5281/zenodo.7922716

Kwapis, O. (2022, February 3). Subwhistle — Brian Jacobs. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2022/2/3/subwhistle. https://doi.org/10.5281/zenodo.7922741

Liu, A. (2022, February 24). Bassoon rebranding: Tomasi’s "Cinq danses profanes et sacrées". Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2022/2/24/cinque-danses-profanes-et-sacrees. https://doi.org/10.5281/zenodo.7922746

Ludwig, M. (2022, October 24). Timbral progression in Rebecca Saunders’ "dichroic seventeen". Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2022/10/25/timbral-progression-in-rebecca-saunders-dichroic-seventeen. https://doi.org/10.5281/zenodo.7922757

Lussier, K. (2023, May 24). Icicle — Robert Aitken. Amazing Moments in Timbre. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2023/5/15/icicle. https://doi.org/10.5281/zenodo.11176562

Marchand Knight, J. (2023, February 3). Death, sex, and the semitone in Monteverdi’s “Pur ti miro, pur ti godo.” Timbre and Orchestration Resource. Retrieved Month Date, Year, fromhttps://timbreandorchestration.org/writings/amazing-moments-in-timbre/2023/2/3/death-sex-and-the-semitone. https://doi.org/10.5281/zenodo.7922729

Marchand Knight, J. (2023, January 26). Passaggio and register in the singing voice. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/timbre-lingo/2023/1/26/passaggio-and-register-in-the-singing-voice

McAdams, S., Goodchild, M., & Soden, K. (2022, September 28). A taxonomy of orchestral grouping effects derived from principles of auditory perception. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/reprints/a-taxonomy-of-orchestral-grouping-effects-derived-from-principles-of-auditory-perception

Mayas, M. (2023, March 31). Orchestrating timbre: Unfolding processes of timbre and memory in improvisational piano performance. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/reprints/orchestrating-timbre

Miller, C. (2022, March 22). Timbre as an impassioned argument: Maconchy’s String Quartet No. 10. Amazing Moments in Timbre. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2022/3/22/timbre-as-an-impassioned-argument. https://doi.org/10.5281/zenodo.7922763

Nestorova, T. (2022, June 27). Vibrato. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/timbre-lingo/2022/6/27/vibrato

Schau, K. (2022, February 10). Blood, glass, and a cannibal’s beating heart — Brian Reitzell. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2022/2/10/blood-glass-and-a-cannibals-beating-heart. https://doi.org/10.5281/zenodo.7924531

Stepherson, M. (2022, March 3). Bound to You — by Christina Aguilera from "Burlesque" (2010). Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.orgm/writings/amazing-moments-in-timbre/2022/33/bound-to-you. https://doi.org/10.5281/zenodo.7924521

Sulaiman, M. (2022, March 10). Lovin’ You — by Minnie Riperton. Amazing Moments in Timbre. Timbre and Orchestration Resource. Retrieved from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2022/3/10/lovin-you. https://doi.org/10.5281/zenodo.7924537

Wirasinghe, S. (2023, April 26). Tension and the cello: Kaija Saariaho’s "Petals". Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2023/4/26/tension-and-the-cello. https://doi.org/10.5281/zenodo.11176562

Zhu, L. (2022, August 2). Pour l’image: Philippe Hurel. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2022/8/2/pour-l-image. https://doi.org/10.5281/zenodo.7924553

Zhu, L. (2022, December 20). The alchemical wedding: Liza Lam. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2022/12/20/the-alchemical-wedding. https://doi.org/10.5281/zenodo.7924553

Ramos, J. (2021, June 14). Technology and timbre: An autoethnography on the influence of electronics on the composer’s orchestration practice. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/research-creation-series/technology-and-timbre/an-autoethnography-on-the-influence-of-electronics-on-the-composers-orchestration-practice. https://doi.org/10.5281/zenodo.7921771

Kramer, E. (2021, May 6). Exploring the virtual orchestra through blood, sweat, and tears: Part I - Creating a virtual orchestration from a pre-existing score. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/research-creation-series/exploring-the-virtual-orchestra-through-blood-sweat-and-tears/part-1/creating-a-virtual-orchestration-from-a-pre-existing-score. https://doi.org/10.5281/zenodo.7921729

Lortie, C., & Adler, Y. (2021, February 22). Koan — James Tenney. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2021/2/22/koan-by-james-tenney. https://doi.org/10.5281/zenodo.7922752

Noble, J. (2020, November 25). Simplicity out of complexity out of simplicity: The “paradoxical complexity” of massed sonorities. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/research-creation-series/paradoxical-complexity. https://doi.org/10.5281/zenodo.11176566

Delisle, J. (2020, July 1). Instrumental synthesis. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/timbre-lingo/2020/6/14/instrumental-synthesis

Buron, M. (2020, May 7). Schnittke’s Concerto Grosso No. 1. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2020/5/6/schnittke-concerto-grosso-no-1. https://doi.org/10.5281/zenodo.11192833

Colombat, H. (2020, May 1). The children of fire come looking for fire – Eric Wubbels. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2020/5/1/the-children-of-fire-come-looking-for-fire. https://doi.org/10.5281/zenodo.7922718

Noble, J. (2020, April 22). Brightness / Darkness. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/timbre-lingo/2020/4/22/brightness-darkness

Noble, J. (2020, April 20). Seven beginnings. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/research-creation-series/seven-beginnings. https://doi.org/10.5281/zenodo.7921757

Tatar, J. (2020, February 29). Buzzard and Kestrel – James Blake. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2020/2/29/buzzard-and-kestrel. https://doi.org/10.5281/zenodo.7924539

Barash, O. (2020, February 20). The colour “Fresh”: Timbre in Intermezzo no. 1 — Yinam Leef. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2020/2/20/the-colour-fresh. https://doi.org/10.5281/zenodo.7924553

Marchand Knight, J. (2020, January 27). The singer’s formant. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/timbre-lingo/2019/12/10/the-singers-formant

Marchand Knight, J. (2019, September 12). Flourish – Sarah Hennies. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2019/9/12/flourish. https://doi.org/10.5281/zenodo.7922732

Delisle, J. (2019, June 3). Inharmonicity. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/timbre-lingo/2019/4/28/inharmonicity

Noble, J. (2019, April 28). The Unanswered Question – Charles Ives. Timbre and Orchestration Resource. Retrieved from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2019/4/28/the-unanswered-question. https://doi.org/10.5281/zenodo.7924510

Delisle, J. (2019, March 29). Spectral centroid. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/timbre-lingo/2019/3/29/spectral-centroid

Noble, J. (2019, March 28). Red Bird – Trevor Wishart. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2019/3/28/red-bird. https://doi.org/10.5281/zenodo.7924503

Marchand Knight, J. (2019, March 27). Menotti's Goya and The Timbre of Tinnitus. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2019/3/27/menottis-goya-and-the-timbre-of-tinnitus. https://doi.org/10.5281/zenodo.7922734

Delisle, J. (2019, March 12). Signal vs. Spectrum. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/timbre-lingo/2019/3/12/signal-vs-spectrum

Delisle, J. (2019, February 28). Hommage à Klaus Nomi – Olga Neuwirth. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2019/2/28/hommage-klaus-nomi. https://doi.org/10.5281/zenodo.7922723

Noble, J. (2019, February 15). Shepard Tone. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/timbre-lingo/2019/2/15/shepard-tone

Noble, J. (2019, February 13). Deus Cantando – Peter Ablinger. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2019/2/13/deus-cantando. https://doi.org/10.5281/zenodo.7924482

Noble, J. (2019, February 12). Auditory Scene Analysis. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/timbre-lingo/2019/2/12/auditory-scene-analysis

Marchand Knight, J. (2018, December 13). Amplitude Envelope. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/timbre-lingo/2018/12/13/envelope

Noble, J. (2018, November 30). Noise. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/timbre-lingo/2018/11/28/noise

Noble, J. (2018, November 30). Dripsody – Hugh Le Caine. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2018/11/30/dripsody. https://doi.org/10.5281/zenodo.7924489

Noble, J. (2018, November 23). Atmosphères – Györgi Ligeti. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2018/11/23/atmospheres. https://doi.org/10.5281/zenodo.7924476

Noble, J. (2018, November 23). Partial. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/timbre-lingo/2018/11/23/partial

Kob, M., de Francisco, M., Lévy, F., Soden, K., & Traube, C. (2023, December 18). Online Guide to Room Acoustics for Musicians Interactive Project Report. Timbre and Orchestration Resource. Retrieved Month Date, Year, from https://timbreandorchestration.org/writings/project-reports/room-acoustics. DOI https://doi.org/10.5281/zenodo.11176584

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