CV Workshop
On September 26, at 1:00pm (EDT), the ACTOR Training and Mentoring Committee(TMC) hosted an online workshop on CVs and cover letters with professors Robert Hasegawa (McGill University), Pierre Michel (Université de Strasbourg), Lindsey Reymore (Arizona State University), and Caroline Traube (Université de Montréal).
L'Orchestre de l'Université de Montréal - Retour sur scène
La musique symphonique retentit à nouveau à la salle Claude-Champagne! Les musicien.nes de l'OUM, l'Orchestre de l'Université de Montréal, reprennent les répétitions après une interruption de 6 mois causée par la pandémie de COVID-19.
Uncovering the Meaning of Four Semantic Attributes of Sound
Bright (brillant), round (rond), warm (chaud) and rough (rugueux) are four terms vastly used in French language for sound description in sound creation processes such as music performance, orchestration, sound engineering or sound design, yet they lack formal, standardized definitions.
Blending of Music Instruments: Listener’s Rating and Signal Analysis of Violin Ensemble
The impression of ensemble sound and blending between musical instruments is an important feature relevant in music composition, orchestration, stage acoustics adaption, and virtual acoustics.
A Model of the Cognitive Linguistics of Musical Instrument Timbre Qualia
The impression of ensemble sound and blending between musical instruments is an important feature relevant in music composition, orchestration, stage acoustics adaption, and virtual acoustics. Within a larger project, we perform research on musical instruments and the effect of blending.
Emergent Form Through Timbre in a Contemporary Aleatoric Composition
I will demonstrate how timbre and auditory scene analysis act as a central element in the emergence of musical form in a contemporary aleatoric composition with open instrumentation: all voices are heard (2015) by James Saunders.
Virtual Orchestration: A New Aesthetic
Composers for film and video games generally make use of digital audio workstations (Pro Tools, Cubase, etc.) to complete their work. Sample libraries, virtual instruments, and extensive programming in their chosen software allow them to produce realistic sounding mock-ups that serve either as placeholders until their music has been recorded or, in some cases, as the final product itself.
A Non-guitarist's approach to timbre-based composition for the guitar
A video presenting non-guitarist composer Jason Noble's approach to timbre-based composition for the guitar, discussing issues of notating timbre with various types of mappings. Including musical examples from many pieces created collaboratively with guitarist Steve Cowan.
Timbre semantics, orchestration, and music analysis: Timbre Trait Analysis
In this video made for the 2020 meeting of Music Theory Midwest, Reymore describes some of her timbre research: building a cognitive linguistic model of timbre qualia, using the model to construct profiles for orchestral instruments, and applying these findings in analysis of the first movement of Mahler's first symphony, where Reymore looks at form and at the climactic breakthrough, or Durchbruch, moment.