Tchaikovsky | Symphony No. 5, ii, m. 8
Extreme Orchestration: Tchaikovsky's quintessential cantabile horn solo, showcases masterful variations in color, dynamics, and articulation, all within an ideal upper register.
Tchaikovsky | Symphony No. 4 | Flute family Ex. 7
The example showcases the piccolo's extraordinary brightness and lightness in a very high range.
Saint-Saëns | Carnival of the Animals | Flute Family Ex. 6
One of three examples demonstrating the flute's remarkable agility, fluidity, and sparkling brilliance, all while playing soft and delicate. No. 10, Volière (Aviary), mm. 6-15 (rehearsal 1)
Rimsky-Korsakov | Russian Easter Overture | Flute Family Ex. 5
One of three examples demonstrating the flute's remarkable agility, fluidity, and sparkling brilliance, all while playing soft and delicate (rehearsal C).
Rossini | William Tell Overture | Flute Family Ex. 4
One of three examples demonstrating the flute's remarkable agility, fluidity, and sparkling brilliance, all while playing soft and delicate, mm. 209-212 (rehearsal letter G).
Debussy | Prélude à l’après-midi d’un faune | Flute Family Ex. 3
The excerpt features a flute solo that highlights the instrument's rich tone in its lower register, supported by a delicate accompaniment which gradually increases in complexity and depth as the flute melodic line rises in pitch, from mm. 21-30 (rehearsal 2)
Brahms | Symphony No. 4 | Flute Family Ex. 2
This example showcases the flute's expressive and lyrical qualities across its entire range. From the 4th movement, mm. 89-105
Beethoven | Symphony No. 3 | Flute Family Ex. 1
This passage, written in the flute's optimal tessitura above the staff, allows the instrument to shine with its singing tone, crisp articulation, brilliant passagework, and full dynamic range, easily projecting over the orchestra. From the 4th movement, mm. 170-200
Beethoven | Symphony No. 5 | Ex. 1
A dramatic peak achieved by contrasting two sections of the orchestra
Beethoven | Symphony No. 8 | Ex. 4
Clean transitions with no overlap between consecutive scenes
Bizet | Carmen | Ex. 8
The color remains balanced. Only the spatial quality is contrasted.
Bizet | Carmen, 2nd Suite | Ex. 10
Dramatic dynamic contrast achieved through the recurring use of a single musical motif
Tchaikovsky | Symphony No. 4 | Ex. 12
Parallel construction of a crescendo and an echo effect