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Timbre and Orchestration Resource
About
Publications
Learn About Timbre
Learn About Orchestration
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Timbre and Orchestration Resource
About
Publications
Learn About Timbre
Learn About Orchestration
FR
About
Publications
Learn About Timbre
Learn About Orchestration
FR
Tchaikovsky | Symphony No. 5, ii, m. 8
Extreme Orchestration, Tchaikovsky Timbre and Orchestration Resource 5/30/24 Extreme Orchestration, Tchaikovsky Timbre and Orchestration Resource 5/30/24

Tchaikovsky | Symphony No. 5, ii, m. 8

Extreme Orchestration: Tchaikovsky's quintessential cantabile horn solo, showcases masterful variations in color, dynamics, and articulation, all within an ideal upper register.

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Tchaikovsky | Symphony No. 4 | Flute family Ex. 7
Extreme Orchestration, Tchaikovsky Don Freund and David Cutler 5/16/24 Extreme Orchestration, Tchaikovsky Don Freund and David Cutler 5/16/24

Tchaikovsky | Symphony No. 4 | Flute family Ex. 7

The example showcases the piccolo's extraordinary brightness and lightness in a very high range.

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Saint-Saëns | Carnival of the Animals | Flute Family Ex. 6
Extreme Orchestration, Saint-Saëns Don Freund and David Cutler 5/16/24 Extreme Orchestration, Saint-Saëns Don Freund and David Cutler 5/16/24

Saint-Saëns | Carnival of the Animals | Flute Family Ex. 6

One of three examples demonstrating the flute's remarkable agility, fluidity, and sparkling brilliance, all while playing soft and delicate. No. 10, Volière (Aviary), mm. 6-15 (rehearsal 1)

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Rimsky-Korsakov | Russian Easter Overture | Flute Family Ex. 5
Extreme Orchestration, Rimsky-Korsakov Don Freund and David Cutler 5/16/24 Extreme Orchestration, Rimsky-Korsakov Don Freund and David Cutler 5/16/24

Rimsky-Korsakov | Russian Easter Overture | Flute Family Ex. 5

One of three examples demonstrating the flute's remarkable agility, fluidity, and sparkling brilliance, all while playing soft and delicate (rehearsal C).

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Rossini | William Tell Overture | Flute Family Ex. 4
Extreme Orchestration, Rossini Don Freund and David Cutler 5/16/24 Extreme Orchestration, Rossini Don Freund and David Cutler 5/16/24

Rossini | William Tell Overture | Flute Family Ex. 4

One of three examples demonstrating the flute's remarkable agility, fluidity, and sparkling brilliance, all while playing soft and delicate, mm. 209-212 (rehearsal letter G).

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Debussy | Prélude à l’après-midi d’un faune | Flute Family Ex. 3
Extreme Orchestration, Debussy Don Freund and David Cutler 5/16/24 Extreme Orchestration, Debussy Don Freund and David Cutler 5/16/24

Debussy | Prélude à l’après-midi d’un faune | Flute Family Ex. 3

The excerpt features a flute solo that highlights the instrument's rich tone in its lower register, supported by a delicate accompaniment which gradually increases in complexity and depth as the flute melodic line rises in pitch, from mm. 21-30 (rehearsal 2)

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Brahms | Symphony No. 4 | Flute Family Ex. 2
Extreme Orchestration, Brahms Don Freund and David Cutler 5/16/24 Extreme Orchestration, Brahms Don Freund and David Cutler 5/16/24

Brahms | Symphony No. 4 | Flute Family Ex. 2

This example showcases the flute's expressive and lyrical qualities across its entire range. From the 4th movement, mm. 89-105

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Beethoven | Symphony No. 3 | Flute Family Ex. 1
Extreme Orchestration, Beethoven Don Freund and David Cutler 5/16/24 Extreme Orchestration, Beethoven Don Freund and David Cutler 5/16/24

Beethoven | Symphony No. 3 | Flute Family Ex. 1

This passage, written in the flute's optimal tessitura above the staff, allows the instrument to shine with its singing tone, crisp articulation, brilliant passagework, and full dynamic range, easily projecting over the orchestra. From the 4th movement, mm. 170-200

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Beethoven | Symphony No. 5 | Ex. 1
Cahiers d'orchestration, Beethoven Victor Cordero 4/29/24 Cahiers d'orchestration, Beethoven Victor Cordero 4/29/24

Beethoven | Symphony No. 5 | Ex. 1

A dramatic peak achieved by contrasting two sections of the orchestra

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Schoenberg | Five pieces for orchestra | Ex. 2
Cahiers d'orchestration, Schoenberg Victor Cordero 4/28/24 Cahiers d'orchestration, Schoenberg Victor Cordero 4/28/24

Schoenberg | Five pieces for orchestra | Ex. 2

Extremely rapid shifts in contrast

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Berlioz | Symphonie fantastique | Ex. 3
Cahiers d'orchestration, Berlioz Victor Cordero 4/27/24 Cahiers d'orchestration, Berlioz Victor Cordero 4/27/24

Berlioz | Symphonie fantastique | Ex. 3

Increase in the frequency of contrasts

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Beethoven | Symphony No. 8 | Ex. 4
Cahiers d'orchestration, Beethoven Victor Cordero 4/26/24 Cahiers d'orchestration, Beethoven Victor Cordero 4/26/24

Beethoven | Symphony No. 8 | Ex. 4

Clean transitions with no overlap between consecutive scenes

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Mozart | Symphony No. 40 | Ex. 5
Cahiers d'orchestration, Mozart Victor Cordero 4/25/24 Cahiers d'orchestration, Mozart Victor Cordero 4/25/24

Mozart | Symphony No. 40 | Ex. 5

Overlapping sequence

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Handel | Music for the Royal Fireworks, Overture | Ex. 6
Cahiers d'orchestration, Handel Victor Cordero 4/24/24 Cahiers d'orchestration, Handel Victor Cordero 4/24/24

Handel | Music for the Royal Fireworks, Overture | Ex. 6

Various types of sequencing

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Mahler | Symphony No. 4 | Ex. 7
Cahiers d'orchestration, Mahler Victor Cordero 4/23/24 Cahiers d'orchestration, Mahler Victor Cordero 4/23/24

Mahler | Symphony No. 4 | Ex. 7

Sequencing through a cross-faded and blended transition

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Bizet | Carmen | Ex. 8
Cahiers d'orchestration, Bizet Victor Cordero 4/22/24 Cahiers d'orchestration, Bizet Victor Cordero 4/22/24

Bizet | Carmen | Ex. 8

The color remains balanced. Only the spatial quality is contrasted.

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Mahler | Symphony No. 2 | Ex. 9
Cahiers d'orchestration, Mahler Victor Cordero 4/21/24 Cahiers d'orchestration, Mahler Victor Cordero 4/21/24

Mahler | Symphony No. 2 | Ex. 9

Balance of tension between two different instruments.

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Bizet | Carmen, 2nd Suite | Ex. 10
Cahiers d'orchestration, Bizet Victor Cordero 4/19/24 Cahiers d'orchestration, Bizet Victor Cordero 4/19/24

Bizet | Carmen, 2nd Suite | Ex. 10

Dramatic dynamic contrast achieved through the recurring use of a single musical motif

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Tchaikovsky | Symphony No. 4 | Ex. 11
Cahiers d'orchestration, Tchaikovsky Victor Cordero 4/18/24 Cahiers d'orchestration, Tchaikovsky Victor Cordero 4/18/24

Tchaikovsky | Symphony No. 4 | Ex. 11

Recreating the near-far effect

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Tchaikovsky | Symphony No. 4 | Ex. 12
Cahiers d'orchestration, Tchaikovsky Victor Cordero 4/17/24 Cahiers d'orchestration, Tchaikovsky Victor Cordero 4/17/24

Tchaikovsky | Symphony No. 4 | Ex. 12

Parallel construction of a crescendo and an echo effect

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